What I know of the Mahabharata is courtesy of the much-revered epic telecast on the small screen years ago. Sunday mornings meant sitting in front of the television watching the majestic Bheeshma Pitamah exuding power, the valiant Arjun skillfully battling his enemies, the enigmatic and wily Krishna using his clever words, sometimes as a soothing balm and at other times as weapons, and the duty-bound Yudhishtir always following the path of righteousness. These were the illustrious characters from the Mahabharata firmly etched in my mind, with a sporadic thought occasionally drifting towards Draupadi.
With ‘The Palace of Illusions’, author Chitra Banerjee Divakaruni places the mysterious, and not as much talked about as the other famous characters, Draupadi, as the protagonist.
The first-person narrative has Draupadi starting her story from the time she was born from fire. When her father, King Drupad, conducted a vigorous 30 – day fire ceremony to pray for a son who would bring him the vengeance he desired. At the end of the ceremony his much longed for son, Dhristadyumna, appeared, along with his sister Draupadi, who was sent along as an unwanted and unasked-for, gift by God’s. The voices from heaven cautioned King Drupad to take good care of Draupadi as she would eventually change the course of history.’
CBD’s gentle writing gives a voice and emotions to Draupadi making the reader feel along with her as she describes her growing up years. Her self-consciousness about her dark complexion, until she meets the equally dark-skinned Krishna who puts her anxiety to rest saying, ‘A problem becomes a problem only if you believe it to be so. And often others see you as you see yourself.’ You find yourself raising your eyebrows at the change when Draupadi discovers her attractiveness and sensuality and the power she can command through them.
Through her narration, CBD reveals intriguing facets of Draupadi’s many-hued personality.
Draupadi’s curious glimpse into the future by Ved Vyas and his following helpful warning, ‘Three dangerous moments will come to you. The first will be just before your wedding; at that time hold back your question. The second will be when your husbands are at their height of power; at that time hold back your laughter. The third will be when you’re shamed as you’d never imagined possible; at that time hold back your curse. Maybe it will mitigate the catastrophes to come.’, will have you creasing your forehead, wondering, and hoping, she pays heed to his advice.
Draupadi’s mystifying friendship with Krishna, which almost borders on love at times, has Krishna making timely appearances to hush her anxious mind or answer her curious questions, ‘You were just as impatient in your past life. In meditation, you invoked Shiva. He came and stood in front of you, silent and blue as moonlight. You asked for a wish to be granted. He smiled. You asked for it again- and again. Five times you made your wish before he had a chance to say yes. Therefore in this life, you will have what you wanted five times over.’
Your heart melts when you comprehend it was love at first sight moment for Draupadi when she glimpsed the serene Karna, the bastard prince, for the first time at her Swayamwar.
Her unbridled pride, temper, vengefulness which, true to Ved Vyas’s prophecy, caused her to be remembered for causing the greatest war of her time.
CBD’s imagination of Draupadi fleshes out a character that shows you there was much more to her than just being a wife of five husbands. ‘The Palace of Illusions’, is a wonderful read, which educates and enlightens, about the Mahabharat, human nature, and life. And the mind of a woman fighting both, her inner and outer demons.
M! You have got me completely intrigued. I love your descriptions of the various characters of Mahabhatra… And you have picked out some very interesting paras from the text. Would like to give this book a read!
Thanks.
You recommend?? hmmm…gotta give it a try then.
If you liked this, you definitely need to read "Yajnaseni". You will yourself realise the difference between the two.